The rebellious lyrics hit a nerve with listeners, voicing their displeasure with society. (I Can't Get No) Satisfaction marked a shift in The Rolling Stones' career, pushing them to greater heights of fame. Songwriter(s): Mick Jagger, Keith Richards. Let's take a look at the key factors of this iconic song: Its catchy tune and strong words have hypnotized people for decades. (I Can't Get No) Satisfaction is an epic song from The Rolling Stones that has shaped the music industry. With a career spanning over half a century, The Rolling Stones remain a symbol of rock resilience and an enduring force in the world of music. Their enduring popularity and ability to sell out stadiums decades into their career attest to their cultural impact. Their longevity is unparalleled, with an extensive discography that includes timeless albums like “Sticky Fingers,” “Exile on Main St.,” and “Some Girls.”īeyond their musical prowess, The Rolling Stones embody the rebellious spirit of rock ‘n’ roll, challenging societal norms and pushing artistic boundaries. The synergy between Jagger’s dynamic stage presence and Richards’ distinctive guitar riffs defines the band’s signature style. Comprising Mick Jagger as the charismatic frontman, Keith Richards as the iconic guitarist, Charlie Watts as the steady drummer, Ronnie Wood as the guitarist, and Bill Wyman (formerly) as the bassist, the Stones are known for their electrifying performances and enduring influence.įrom their early blues-inspired hits like “Paint It Black” and “Satisfaction” to their later ventures into rock and ballads, The Rolling Stones have consistently evolved their sound. he’s gonna be a rolling stone,’” the last line goes.The Rolling Stones, formed in London in 1962, are a legendary rock band that has left an indelible mark on the music landscape. But if it were, the final words would be “rolling stone,” via a poignant Muddy Waters cover, reminding us of the blues albums Mick was carrying that fateful day he connected with Keith at a train station. Most tracks are penned by Jagger and Richards they’re joined on three by pop producer Andrew Watt (known for work with Post Malone and Justin Bieber ), who clearly exhibits a golden touch with this whole project. Steve Jordan, the successor Watts chose, takes the beloved drummer’s place on the rest of the album. On one, “Live by the Sword,” former bandmate Bill Wyman joins on bass, making for an emotionally potent reunion. The late, great Charlie Watts, who died in 2021, appears posthumously on two of the 12 tracks. In the furious “Bite My Head Off,” the band’s guest is none other than their old friend Paul McCartney - yeah, the same guy who called them a “blues cover band” recently, amusing and perhaps annoying them. As when Richards sings in “Tell Me Straight,” his poignant lead vocal outing: “Is my future all in the past? Just tell me straight.” In one, “Get Close,” Jagger croons: “I walk the city at midnight with the past strapped to my back.” (Strapped, OK, but not constricting the blood flow.) The lyrics are not always this poetic, but when they are, it’s often a dialogue with the past. But the song also testifies to how vigorous Jagger’s voice remains.Īnother party guest: Elton John, doing piano duty on two tracks. Like Gaga and Stevie Wonder, who joins the track on keyboards (“Play me something, Stevie,” you’ll hear). A key candidate would be the aforementioned, gospel-tinged “Sweet Sounds of Heaven” - Exhibit A of what’s fun about the album, starting with the fact that when you’re the Stones, you can invite anybody to your party and they’ll show. But now, on the track “Whole Wide World,” when Jagger sings, “And you think the party is over,” it feels like the whole album is one big answer: Um, nope!Īnd maybe, just maybe, we have a hint of possibility of shaking up the arena set list.
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